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Ebook About A portable edition of the famous Red Book text and essay.The Red Book, published to wide acclaim in 2009, contains the nucleus of C. G. Jung’s later works. It was here that he developed his principal theories of the archetypes, the collective unconscious, and the process of individuation that would transform psychotherapy from treatment of the sick into a means for the higher development of the personality. As Sara Corbett wrote in the New York Times, “The creation of one of modern history’s true visionaries, The Red Book is a singular work, outside of categorization. As an inquiry into what it means to be human, it transcends the history of psychoanalysis and underscores Jung’s place among revolutionary thinkers like Marx, Orwell and, of course, Freud.” The Red Book: A Reader’s Edition features Sonu Shamdasani’s introductory essay and the full translation of Jung’s vital work in one volume.Book The Red Book: A Reader's Edition (Philemon) Review :
Here is what Jung appears to be saying in my short, dumbed-down synopsis.1. Within the human psyche you have the conscious mind which includes a retrievable memory. This conscious memory function may or may not be fully functional during an intentional encounter with the second component of the human psyche, the personal unconscious mind. The level of the person’s conscious memory function depends on how the encounter with the person’s unconscious mind is conducted. As with any risky endeavor, an intentional contact with the personal unconscious mind is best conducted with sufficient tools and preparation. If the conscious mind has a memory that is still functional when contact with the unconscious mind is made, the individual will have the ability to replay all or parts of the unconscious content that is encountered and interpret and analyze the content in the daylight of full consciousness. In turn, the product of conscious analysis of the unconscious content can be stored in the conscious mind’s memory and, if not overwhelmed by the unconscious mind during intentional contact between the conscious and unconscious mind, be effectively used by the conscious mind during subsequent encounters with the unconscious mind to aid in navigating the unconscious mind’s territory.2. As the conscious mind delves into the unconscious mind’s territory it must surrender some of its territory. It is then possible to dwell in the conscious and unconscious states of mind simultaneously. Something akin to realizing you are asleep and dreaming while what is appearing before you in the dream continues to play as you consciously participate in the unconscious content of the unconscious mind. You are aware that you are dreaming but your conscious memory is able to record the events of the unconscious mind you are involved in as a participant. It is a state of mind where you are a participant in a dream or aware of certain content of your unconscious mind and you know it is a dream but you retain a conscious memory of the events as well as a memory that you knew that it was a dream at the time you were an active participant in the dream (aka, ‘lucid dreaming’). During these simultaneous encounters, the conscious mind must, at a minimum, retain some basic level of its conscious memory function. What conscious functions are first surrendered by the conscious mind in an intentional contact with the unconscious mind may not be exactly the same in different individuals' encounters with their unconscious mind. Nor will it be the same if the psyche does not retain an adequate level of functionality within the conscious realm of its domain. In this dual awareness state of the human psyche the unconscious mind is present at its lowest intensity. However, even at this low level of intensity, the unconscious mind will always eclipse far more functions of the conscious mind than the few functions of the unconscious mind that the conscious mind is able to record in conscious memory during intentional encounters.3. These forays into the unconscious are not without risk to the normal and continued function of the conscious mind. It is possible to temporally disable or even seriously damage conscious functions during intentional contact between the conscious and unconscious parts of the human psyche. The unconscious mind always has a clear view of the conscious mind and has varying degrees of persuasive control over the conscious mind. However, the conscious mind may only catch risky glimpses of the unconscious mind and has little or no control over the content of the unconscious.4. As time goes on, an individual who intentionally contacts their personal unconscious mind and appropriately analyzes the conscious memory of the unconscious content in small steps may make slow but steady progress in their ability to navigate their personal unconscious while avoiding damage to their conscious functions.5. The third component of a person’s psyche is the collective unconscious interface between the personal unconscious mind and the flow of archetypal content which is the substance of the collective unconscious. The area and composition of the collective unconscious may be thought of as analogous to the concept of the “cloud” in modern computer terms. The collective unconscious can interface with the personal unconscious mind of an individual as though it was an omnipresent and integral part of the personal unconscious mind of the individual rather than a remote entity. This interface is fraught with confusion because of the dissimilar language or format of the content in the collective unconscious when it interfaces with a personal unconscious mind. Ideally, archetypal images are invited to trickle into the personal unconscious mind and mildly flavor the content of the personal unconscious mind which in turn permits the personal unconscious mind to hand on this assimilated image content to the conscious mind through dreams or what seem to be spontaneous impulses that the conscious mind may act upon. In this respect, these mild encounters with archetypal image content that has been processed by the personal unconscious mind can produce what may be described as artistic thoughts and images within an individual’s conscious mind. These thoughts have a universality of image and content that comes from the archetypes that gave birth to them. Raw archetypes are by their nature universal images or concepts that will resonate with other individuals’ conscious minds at a very basic level or be received by others’ minds through an unconscious level of feeling. Therefore, filtered and processed archetypal images that can enter other people’s conscious mind via their unconscious mind often present themselves as uncannily intuitive concepts. The very fundamental concept of true artistic appeal is the resonance in others’ minds when a person is able to reproduce archetypal based content in a conscious or material form such as music, painting, artful story-telling, etc. When archetypal based content is presented to other conscious minds, it invariably strikes a chord in the mind of others that has the effect of imparting an empathetic connection or a feeling of deja vu in reaction to the content being presented by the individual who has been able to surface collective unconscious images in a conscious product (or art). This is the ideal outcome of an individual’s contact with archetypal content filtered or translated through the unconscious mind to the conscious mind. This is the creation of art.6. On the other hand, archetypal image content from the collective unconscious, in some cases, can flood a person’s unconscious mind and spill over unprocessed images into the conscious mind which will result in primal and often terrifying disruption of the conscious thought process resulting in undesirable consequences such as; (a) hearing compelling voices, (b) perseverative ideation outbursts that are too overpowering and raw to be artfully communicated to others, and (c) terrifying visual images of primal human fears, etc. These undesirable intrusions upon the conscious mind are some of the more common manifestations of archetypal content that reach a person’s conscious mind in an overwhelming or unprocessed form.7. An example of musical art that communicates the premise of Dr. Jung’s quest to explore the mysteries of the collective unconscious component of the human psyche is a rock musical composition produced by the Amboy Dukes in 1968. It is titled "Journey to the Center of the Mind" and features the following lyrical passage:Come along if you careCome along if you dareTake a ride to the land inside of your mindBut please realizeYou'll probably be surprisedFor it's the land unknown to manWhere fantasy is factSo if you can, please understandYou might not come backCome along if you careCome along if you dareTake a ride to the land inside of your mind----------------------------------------------------------------------------------------------------------------------------------------Next topics to consider ---(1) The malevolent and/or benevolent nature of the archetypes of the collective unconscious.(2) Archetypal content as independent entities that have their own consciousness (spirits & demons). Before reading any further, note: This a review of the READER'S edition - and the Reader's Edition DOES NOT include the facsimile images (art and calligraphy) of the original "Red Book: Liber Novus." I suspect many of those who ordered the book unaware of this will be surprised and disappointed. This distinction was not made clear in Amazon pre-publication information. If you wish to see the original book in all its visual glory, pay the price and order the complete folio-sized facsimile edition.So, why then publish, and why purchase, a "Reader's Edition"? Why is the this edition important, even essential?Because the text of "Liber Novus" (as Jung formally titled his "Red Book") is really more important than the art. Jung experienced and recorded his visions and then composed his draft manuscript of Liber Novus before beginning on the art. The art and calligraphy came later, they were composed over the following 16 years or so. The text - compiled principally between 1914 and 1915, with a last section added in 1917 - is Jung's primary record of his extraordinary odyssey across the threshold of consciousness, and into the heart of mythopoetic vision. As he said: "This inner world is truly infinite, in no way poorer than the outer one. Man lives in two worlds." This is the journal of Jung's exploration of the inner world - and it ranks as one of the most important journeys of exploration in the record of human exploration. Dr. Shamdasani, who spent thirteen years editing Liber Novus for publication, has strongly suggested that one should read the text before even looking at the images. I agree.If you are ready to start that reading, there is another reason this "Reader's Edition" is an essential purchase: the big folio edition of "The Red Book: Liber Novus" is huge and physically very difficult to read. Holding it on your lap, or finding a way to prop it up and read it, is a painful task. God have mercy if you wear bifocals! This edition is formatted in a normal book size, and allows a more comfortable reading experience (if reading Liber Novus can ever be a "comfortable" experience). You will not be disappointed with the beauty of this smaller edition; it is bound "bible style" in soft faux leather with rounded corners, and printed using three colors of ink to add the distinctions in headings and text (this replicates the style of the folio edition). And of course, there is a marker ribbon sewn into the binding. I have no idea how such a finely crafted book can be sold at this price.But the text is much more difficult to meet than is the beautiful art. The calligraphy and artwork are immediately stunning, even overwhelming. I know - based on the several seminars about Liber Novus I have taught over the last three years - that most people simply never make it past this visual experience; they do not read Jung's account of what happened to him between 1913 and 1916.What confounds the reader now is the same issue that confronted Jung then: Though imaginative, mythic, apparently fictive, and ultimately subjective, what Jung met in his wanderings spoke with the voice of an objective fact. It was independent, ineffably ancient, and yet intimately and synchronously involved with human history. He perceived it as real, and the story it told had the tenor of a revelation. Without some introduction, some guiding insight into what the man was doing, most readers become quickly disoriented.To guide your first journey through Liber Novus, I highly suggest you start by reading (again) Jung's biographical memoir, " Memories, Dreams, Reflections ." At very least, study again Chapter 6, "Confrontation with the Unconscious." Then closely read Shamdasani's very fine introductory essay that prefaces Jung's text in this Reader's Edition. Next, get Dr. Shamdasani's beautiful new book, " C. G. Jung: A Biography in Books " - you will see my full review of that volume on the Amazon product page. After that, there are several hours of free lectures online from my seminars on Liber Novus. Thousands of people have them found useful, and you can find them easily by searching online for "The Red Book Lectures" or "C.G. Jung and the Red Book."Then, read. Take it slowly, give it deep consideration. It is quite a journey. 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